2017 concerts

jan 6-8, 2017 - the san francisco tape music festival
jan 17, 2017 - ashley walters
jan 27, 2017 - pauline oliveros tribute
feb 24, 2017 - david smooke + ken ueno + matt ingalls
apr 4, 2017 - c spencer yeh + john krausbauer
apr 11, 2017 - loadbang
apr 18, 2017 - bass2bass: michelle lou + scott worthington

:: view entire concert history here ::




 January 6/7/8 2017 
tape fest 2017 :: victoria theater :: 2961 16th Street :: san francisco



The San Francisco Tape Music Festival 2017


America's only festival devoted to the performance of audio works projected in three-dimensional space, The San Francisco Tape Music Festival features three distinct evenings of classic audio art and new fixed media compositions by 20 local and international composers. Hear members of the SF Tape Music Collective, along with guest composers, shape the sound live over a pristine surround system consisting of 24 high-end loudspeakers while the audience is seated in complete darkness. It's a unique opportunity to experience music forming - literally - around you.

[click here for more details]








 Tuesday January 17 2017 
sfSoundSalonSeries :: center for new music :: 55 taylor :: san francisco :: $15 [$10 underemployed/members] :: 8:00p



ASHLEY WALTERS


Cellist ASHLEY WALTERS has been described as performing “…with the kind of brilliance that beckons a major new performer on the new music scene” (Mark Swed,LA Times). As a solo artist, Ashley has been the dedicatee of numerous works by composers such as Nicholas Deyoe, Andrew McIntosh, Lewis Nielson, Daniel Rothman, Wadada Leo Smith, and Andrew Tholl. She is also known for her performances of Sequenza XIV by Luciano Berio, Plainsound-Litany by Wolfgang von Schweinitz, and Invisibility by Liza Lim. She specializes in performing microtonal works and repertoire with extended techniques and alternate tunings. Ashley has appeared as a soloist on concert series such as Green Umbrella, wasteLAnd music, San Diego New Music, Beyond Baroque, nief-norf Summer Music Festival, Santa Fe Creative Dialogue, at the Hammer Museum, the Wulf, and for dance performances in San Diego, Los Angeles, and Pittsburgh. Her debut album will soon be released featuring four works written for her in addition to works by Berio and Schweinitz. Recently, Ashley premiered a cello concerto by long-time collaborator Nicholas Deyoe and will record the piece in 2017. Following the premiere performance, Paul Muller of Sequenza 21 wrote, “The swirling texture and often agitated phrasing was accurately and confidently played, a showcase for the virtuosity that Ms. Walters dependably brings to all her performances.” This sheason, she will perform Liza Lim’s Invisibility at Disney Hall as well as solo recitals in Los Angeles, San Francisco, and New York.

A frequent collaborator with legendary trumpeter, improviser, and composer, Wadada Leo Smith, Ashley joined his Golden Quintet in 2016 and recorded his America’s National Parks the same year. “The band Wadada enlisted for this project was an expansion of his dream-team of veterans known as the Golden Quartet (Anthony Davis on piano, John Lindberg on bass, Pheeroan akLaff on drums), with the acquisition of the young cellist Ashley Walters, who adds chamberesque texture and diversified colors to the organic divagations.” (Jazz Trail) About the album, Dan McClenaghan of All About Jazz said “…and Ashley Walters’ cello paints the rich, beautiful hues that subtly enhance the entire proceeding – the most auspicious addition to a jazz ensemble since Chico Hamilton brought the instrument into his chamber groups in the late 1950’s.” Ashley has toured Smith’s Pulitzer Prize-nominated Ten Freedom Summers to Austria, Brazil, Chicago, D.C., and New York. She has also twice appeared as a guest with Smith’s Golden Quartet performing in Istanbul and Paris and she has performed with Smith’s Silver Orchestra, for which Robert Bush of All About Jazz said,“…and cellist Ashley Walters contributions were consistently compelling.”

Ashley is a founding member of the Formalist Quartet, now in its tenth season, which has premiered a vast repertoire of works and is known for its audacious programming. Soon, the quartet will release a recording of Christian Wolff’s string quartets, recorded in collaboration with the composer. The Formalist Quartet has held residencies at Princeton, Stanford, UC Santa Barbara, CalArts, and Oberlin. Called “superb” and “fabulous” by the LA Times, the group has appeared in concert in Iceland, Austria, Italy, Germany, and throughout the United States.

In the summer of 2013, Ashley joined the faculty of the nief-norf Summer Festival, a multi-tiered contemporary music organization devoted to fostering creative collaboration among musical performers, composers, and scholars. Each summer, she joins colleagues from throughout the U.S. to perform, teach chamber music, and conduct ensembles. In November 2014, she appeared with the nief-norf project at a multi-day festival at Northern Illinois University. Ashley’s recordings can be heard on Cold Blue Records, Darla Records, Populist Records, Tzadik Records, Cunieform, Music from Stanford: 541, Atlantic Records, Universal Motown, and as the cellist on the DVD documentary Jews and Baseball: An American Love Story.

Ashley currently serves as faculty at Moorpark College and Ventura College. She has served on the faculty of the California State Summer School (Valencia, CA), the Academy of Creative Education (North Hollywood, CA), the Harmony Project (Hollywood, CA), and as an Associate-in-Music at UCSD.

A native of Oak Hill, VA, Dr. Walters holds degrees from the University of California, San Diego (where she was twice awarded for excellence in teaching for her work with undergraduate students), the California Institute of the Arts, and Vanderbilt University (Magna Cum Laude).






 January 27 2017 
active music series :: uptown nightclub :: 1928 telegraph :: oakland :: donation :: 9p



sfSoundOrchestra peforms works by PAULINE OLIVEROS




M U S I C I A N S
Shanna Sordahl, cello
Monica Scott, cello
Elizabeth Schenck, saxophone
Crystal Pascucci, cello
Adria Otte, violin
Polly Moller, flute, alto flute, bass flute
Robert Lopez, percussion
Jason Levis, percussion
Emily Laurance, harp
Benjamin Kreith, violin
Kelley Kipperman, contrabass
Aurora Josephson, voice
John Ingle, saxophone, conductor
Matt Ingalls, clarinet
Jacob Felix Heule, percussion
Diane Grubbe, flute
Phillip Greenlief, saxophone
Philip Gelb, shakuhachi
Giacomo Fiore, guitar
Tom Djll, trumpet
Tom Dambly, trumpet
Armando Castellano, horn
Jesse Canterbury, bass clarinet
Joshua Allen, saxophone
and others, tba








 Friday February 24 2017 
sfSoundSalonSeries :: center for new music :: 55 taylor :: san francisco :: $15 [$10 underemployed/members] :: 8:00p



DAVID SMOOKE


Baltimore-based composer DAVID SMOOKE, marking the release of his solo album ‘Nutshell Studies of Unexplained Death’ (New Focus Recordings), will perform compositions for toy piano and electronics as well as improvisations with Ken Ueno (voice) and Matt Ingalls (clarinets, contrabass garden hose).

Composer DAVID SMOOKE (b. 1969) currently resides in Baltimore, Maryland, where he teaches music theory, rock music history, and composition, and is the Chair of the Music Theory Department at the Peabody Conservatory of Johns Hopkins University. The Washington Post claims that “Smooke has some of the most uninhibited brain cells around” and describes his music as “superb […] a kaleidoscopic sonic universe where anything could happen”; the Baltimore Sun adds that it is “a highly creative, absorbing experience.” His honors include those from the Maryland State Arts Council, BMI, the National Association of Composers USA, the MacDowell Colony, the Virginia Center for the Creative Arts, and Yellow Barn. He has composed commissions for groups and individuals including the International Contemporary Ensemble (ICE), Volti Choir, Rhymes With Opera, the Great Noise Ensemble, and the Peabody Wind Ensemble. He received an M.M. degree from the Peabody Conservatory, a B.A. magna cum laude from the University of Pennsylvania, and a Ph.D. from the University of Chicago, where he received the Century Fellowship, the highest fellowship offered by the Humanities Division. His composition teachers have included Shulamit Ran, David Rakowski, Robert Hall Lewis, and Richard Wernick. In addition to his composition activities, David performs improvisations on toy piano with the support of Schoenhut toy pianos, and has written extensively for NewMusicBox, the online magazine of New Music U.S.A.






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